Tube-Tech MEC1A

丹麥TUBE-TECH Recording Channel MEC1A話放（三合一話放）

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簡介：

The rackmount Tube-Tech MEC 1A recording channel combines the MP 1Amicrophone and DI preamplifier, EQ 1A e, and CL 1B opticalcompressor. It doesn\'t get any better than that baby! The MEC1A

The rackmount Tube-Tech MEC 1A recording channel combines the MP1A microphone and DI preamplifier, EQ 1A e, and CL 1Boptical compressor. It doesn\'t get any better than that baby! TheMEC 1A is designed and hand crafted to deliver the warmth ofvintage recordings with unrivaled accuracy, purity, andrealism. You couldn\'t ask for a better front end for your DAW!

Tube-Tech MEC 1A Recording Channel, First Take:

?All-tube channel strip comprising MP 1A preamp, EQ 1Ae, and CL 1B compressor

Microphone preamp:
The microphone preamplifier consists of a microphone inputtransformer (with a static screen) with a step-up of +10 dB, twodual tube preamplifiers with two stepped gain switches, one with10dB/step (coarse) and one 1dB/step (fine) giving a total gainrange of +20dB to +70dB. The microphone input is provided with aswitchable -20dB attenuation (PAD), switchable +48 V phantom-powerand phase reverse. A highpass filter for the microphone and the DIinput is switchable between off, 20 Hz and 40 Hz. For moreinformation, check out the Tube-Tech MP 1A (# 182001)

The microphone input is capable of accepting levels of up to +6dBU (1.55V) at 40 Hz without the PAD. With the PAD switched intothe circuit, the MEC 1A can be used as a unity gain line amplifieraccepting levels up to +26 dBU (15.5V) at 40 Hz. The high impedanceDI input is unbalanced and placed in the circuit directly after theinput transformer. The gain range for this input is +10dB to +60dB.When in use, the microphone input is disabled.

E:
You\'ll love the sound of this EQ. It performs exactly as you wouldwant a high-end EQ to. With minimal tweaking, you can add all ofthe punch, polish, and air you like to make your recordings standout. The e features low and high shelving filter with again range of +/- 15dB, each with 6 switchable fre and aband filter with a gain range of +/- 20dB, 12 switchablefre and a bandwidth control. The shelving and the bellfilters are designed around a dual tube operational amplifier. Thee has a separate in/out switch. For more information, checkout the Tube-Tech EQ 1A (# 182019)

Compressor:
The compressor is the same type optocompressor found the theTube-Tech CL 1B, the vocal compressor of choice for so many topproducers and engineers. It has controls for ratio, threshold,attack and release. A switch selects between manual attack andrelease and fixed attack and release. With the link switch it ispossible to link several units together on two independent bi-directional buses. The compressor has a separate in /out switch. Innormal operation the e is in front of the compressor, but aswitch enables the compressor to be in front of the e. Formore information, check out the Tube-Tech CL 1B (# 182025)

About Tube-Tech
For over twenty years, Tube Tech has been one of the most prominentnames in all-tube signal processing e You\'ll find theirgear in the best recording and mastering studios around the world.The company\'s founder, John Petersen is an electrical engineer whowas factory trained at Solid State Logic, EMT, Studer, Sony,Neumann, and NTP Electonik (digital audio routers). He alsodesigned tape recorder playback/recording amps for Lyrec taperecorders (found in the studios of the legendary Joe Meek andVangelis). His first design under the name of Tube-Tech was anall-tube e based on the legendary Pultec EQP 1A. Petersencontinued to design and manufacture a number of innovative all-tubeoutboard processors including preamps, multiband compressors andsumming amps. Thanks to John\'s dedication to high- analogsound you\'ll see Tube-Tech gear in the racks of pro audio legendssuch as multi Grammy Award winner Al Schmitt, (Frank Sinatra,Steely Dan, Toto, Quincy Jones, Natalie Cole, Diana Krall), Grammywinner Joe Chiccarelli, (Elton John, Beck, U2, Tori Amos, CountingCrows, Offspring), engineer Russ Long (Sixpence None The Richer,Wilco, Dolly Parton, Allison Moorer), producer-engineer TonyShepperd (Elton John, Madonna, Kenny Loggins, Barbra Streisand,Lionel Richie, and Whitney Houston), and many more.
?技術(shù)參數(shù)：?Tube based "All-in-one" recording channel
?+20 dB to +70 dB Gain mic preamp
?Phantom Power (+48 V)
?Phase Reverse
?-20 dB pad
?Lowcut filter
?High-impedance DI-input (>1 Mohm) for direct connection ofguitar, bass or keyboard
?Three band e
?6 Low shelving frequency choices
?6 High shelving frequency choices
?Bell type Mid section with 12 switchable fre
?
?Separate in/out switch
?Compressor with optical gain reduction element
?Linkable for stereo applications
?Variable Attack and Release parameters
?Ratio 1.5: 1 to 10
?Separate in/out switch